Goldsmiths’ Hall Opera Gala

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It was a great pleasure, as always, to return to the magnificent and historic Goldsmiths’ Hall in the City of London for an ‘in-house’ opera gala for the Worshipful Company of Goldsmiths’ and their guests.  The evening began with a surprise burst of opera in the Drawing Room during the drinks reception, and then continued with the main performance during the courses of dinner in The Hall.  The performers wore Victoria evening gowns for an added visual impact.  The Goldsmiths’ Hall has one of the finest grand pianos in London: our pianist, Jenny, loves it so much she declared she would be prepared to lodge underneath it permanently! 

The Goldsmiths’ Company has been located on the site since 1339.The present Hall, by Philip Hardwick, was built in the 1830’s and remains much as he designed it.  The Hall and other state rooms have been used for a host of films including most recently for Buckingham Palace in ‘The Crown’. 

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Wedding Opera in Gstaad!

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London Festival Opera has a wealth of experience in creating the perfect selection of opera for a special event – including weddings. We recently returned from a magnificent wedding in Switzerland at the Palace Hotel (pictured). We work closely with the Bride and Groom and discuss the wide range of repertoire available, keeping an open mind. One Bride in London wanted something very different: she entered with the rock classic ‘Highway to Hell’ with a superb electric guitarist! After other arias (including from ‘La Traviata’ and ‘The Barber of Seville’) the grand final piece was an operatic version of ‘Bohemian Rhapsody’ with singers and guitarist. In Gstaad, after the surprise waiter start, the cutting of the cake was accompanied by a rousing, opera version of ABBA’s ‘Dancing Queen’!! There is so much repertoire to choose from and live music can add something really memorable to a special day…

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Travelling to far off places…

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One of the exciting part of performing opera is the opportunity to travel.  Performances overseas have taken us across Europe and as far afield as Hong Kong, Mumbai, as well as Canada and Barbados.  We travel extensively in Europe often presenting a ‘surprise opera’ entertainment where waiters or fellow party guests burst into song to the amazement of the real guests.  We are currently planning to return to Italy working with the client to create the perfect programme for the celebratory dinner – including special requests.  On this occasion that includes the Drinking Song from Verdi’s ‘La Traviata’ and ending the evening with an operatic version of a pop song (the final decision will be between ‘Dancing Queen’ and ‘Bohemian Rhapsody’!)

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Palace of Westminster – Opera Gala Dinner

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London Festival Opera presented a surprise Opera Gala in the magnificent setting of one of the member’s intimate Dining Rooms in The Palace of Westminster. It was impossible to have a piano so, once again, our orchestral backing tracks provided the perfect solution and made the musical entertainment possible. A cast of four superb opera singers treated the assembles guests to a programme featuring arias and ensembles from the operas of Handel, Mozart, Verdi and Puccini – the evening ended with an operatic ‘Happy Birthday’ for the special occasion. Entry into the Palace was through the great and historic Westminster Hall – what an entrance!

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Lesley Manville – Desert Island Discs

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The Actress Lesley Manville created a really special Desert Island Discs including opera. She revealed that as a girl classical singing was an important part of her life and that she could have perhaps chosen an operatic career. Had she done so, we would have been deprived of one of the country’s most accomplished performers. She played W S Gilbert’s life very touchingly in Mike Leigh film ‘Topsy Turvey’. Her Desert Island Discs is well worth listening to and still available on the BBC BBC Radio 4 – Desert Island Discs, Lesley Manville, actor

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Host a Zoom Opera Party for a birthday or other celebration

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Zoom Opera GalaLondon Festival Opera

We are still in the midst of lockdown limitations, but let’s look at what we can do in these times rather than what we can’t.  It certainly seems that being able to go to the opera or present opera at a party is still some way off.

A client of ours wanted to do something operatic to celebrate a special birthday. The guests were in Israel, London, Kent and Oxford, but in these times of lockdown that is not an issue.  A Zoom Opera Gala was the perfect solution.

Our Artistic Director turned up at the Zoom party in black tie resulting in some surprise.  ‘Who is this?’ exclaimed the guest of honour.  All was revealed and we created an opera celebration using wonderful footage from past performances with live spoken links.  The result was magical with guests swaying to the rousing music and applauding enthusiastically.

The client now has a movie of the event as a memento of a wonderful party. 


A Zoom Opera Party could be a useful option to anywhere in the world even after lockdown!?

Client comments:

What a truly super occasion!  We all loved it so much, and as usual you were an incomparable master of ceremonies.

I cannot thank you enough for the excellent performance combined with your presence in person and the entertaining commentary which made it all so special and memorable.

The guest of honour really loved it and it was a joy to see her surprise and the sheer pleasure as she enjoyed the event.

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A Night at the Musicals!

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Can opera singers sing songs from musicals? The short answer is a resounding yes, but in our experience it’s important to select the right musicals and the right singers.

Some shows like ‘West Side Story’, all the musicals of Rodgers and Hammerstein, ‘Porgy and Bess’, plus many of the works of Sondheim and Lloyd Webber can all work wonderfully, particularly if the singers can loosen their vocal production a little and ‘speak’ to the audience. But this repertoire can be thrilling when the opera singers open up with full throttle – the tenor singing ‘Maria’ for instance, or the ensemble ‘Do you hear the people sing’ from ‘Les Miserables’. Wonderful repertoire!!

Opera singers cannot really do justice to musicals that have more of a jazz concept, such as ‘Chicago’, or a Heavy Rock inspiration. If they did, it may well sound comical – but that could be fun too! French and Saunders’ version of ‘I should be so lucky’ is truly hilarious and inspired us to include some pop songs from time to time including operatic versions of ‘Bohemian Rhapsody’, ‘Rock around the clock’ and ‘Delilah’. This can create an unexpected and powerful encore in a conventional opera programme!

We return to the magnificent Goldsmiths’ Hall in London later in the Spring for ‘A Night at the Musicals’. This is one of our favourite venues.  Our pianist is always particularly keen as the Hall has a superb grand piano!

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Christmas Celebration Charity Event

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Soprano sings in Victorian Opera Gala at Kirtlington parkOpera Interludes Ltd

We were honoured to perform for a very distinguished audience in the magnificent setting of Kirtlington Park, Oxfordshire on Saturday evening.  London Festival Opera presented ‘A Christmas Night at the Opera’ in the 18th Century Saloon of the house for a sell-out performance.  The audience joined in a Gilbert and Sullivan chorus which prepared them perfectly to sing an absolutely rousing rendition of ‘Good King Wenceslas’, proving joyfully that people do love to sing!

The evening was in aid of the wonderful charity, Medical Detection Dogs, which trains dogs to detect the odour of human disease.  The charity is at the forefront of the research into the fight against cancer and helping people with life-threatening diseases.  In addition to this extraordinary work the charity also trains Medical Alert Assistance Dogs to live with individuals who have complex health conditions.  Using their amazing sense of smell, the dogs are trained to identify the minute odour changes emitted prior to a medical emergency and then alert the person to take preventative action.  This can help to prevent 999 calls and hospital admissions, giving these people and their families greater confidence and independence. 

Her Royal Highness the Duchess of Cornwall is Patron of the Charity and gave her blessing to the fundraising evening in a letter printed in the programme.  Her Royal Highness wrote: ‘As the proud Patron I would like to send you all my very best wishes for a wonderful evening of opera. …. By translating their research into reality, this charity could save many thousands of lives.’

It was an honour to be invited to help raise funds for such a worthy cause in the breath-taking setting of Kirtlington Park. 

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Opera on Board HMS Belfast

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HMS Belfast sits regally on the Thames by Tower Bridge

Where next?  We have been lucky enough to perform in some stunning, unusual and historically important venues around the world, but we believe we made history last week performing opera for the first time during a private dinner in one of the elegant dining rooms on board HMS Belfast. Moored on the Thames by Tower Bridge in the heart of London and now open to the public for 362 days of the year, HMS Belfast is a fascinating museum ship supported by the Imperial War Museum and is well worth a visit! 

The historic ship was originally launched on St Patrick’s Day in 1939 shortly before the outbreak of World War II.  She was built as a town-class light cruiser for the Royal Navy but after the outbreak of war she saw a great deal of action acting as a blockade ship, escorting convoys and in battle.  After being struck by a German mine she underwent repairs and returned to action in 1942, going on to play a pivotal role in the Normandy landings.  She is one of only three remaining vessels from the bombardment fleet which supported the Normandy landings on 6 June 1944 – the other two are now moored in the United States.  Her bombardment of the German gun battery at La Marefontaine at Gold and Juno beaches meant that the battery was able to play no meaningful part in the defence of the beaches, allowing large numbers of allied troops to land in relative safety. 

Legend has it that HMS Belfast fired the opening shots at the Normandy landings on 6th June 1944, however the ship’s log confirms her first shots were actually fired four minutes after the first shot from a ship lying just to her west.  During her 33 days supporting the landings, HMS Belfast fired an incredible total of over 5,000 shells and the force from the constant firing of her impressive armament of guns cracked the crew’s loos!  The invasion of Normandy was the last time HMS Belfast fired her guns.  In July of that year, she set sail for Plymouth Devonport and a well-earned refit, before being despatched to the Far East.

A final fascinating fact about HMS Belfast:  as she sits by Tower Bridge her guns are trained and elevated in such a way that they are aimed directly at the London Gateway (or Scratchwood Services), the last service station on the M1 before you get to London.  The service station was chosen as the hypothetical target for obliteration as it happens to sit neatly on the radius of the guns’ comfortable range (about 18.5 km at 45º elevation).  Of course, the guns are no longer loaded or capable of firing, so you’re pretty safe if you stop there for a sandwich!

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Royal Connections at Amorbach Abbey

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Singers in period costume standing in The Green Hall at Amorbach Abbey

We recently had the pleasure of performing in the stunning Green Hall of Amorbach Abbey in Germany. A more fitting setting for a performance of live opera would be hard to imagine, but this one in particular has a fascinating history with an interesting historical significance to the British Royal Family, which gives the location an especially wonderful atmosphere. 

Amorbach Abbey was originally a simple Benedictine Monastery, set in its current location from 734AD. Several turbulent centuries followed, throughout which it survived various wars and uprisings, and the Monastery then went on to enjoy wealth and significant power in the region, in the 1740’s the buildiongs undergoing a major Baroque refurbishment. The Abbey building remains to this day a significant example of early Rococo style architecture, although the Green Hall in which we performed, is in the Neoclassical style. The Monastery itself was finally dissolved in 1803 with the Abbey buildings and lands being given to the Princes of Leiningen as compensation for lost territories occupied in 1793 by French revolutionary troops. The Abbey buildings are still occupied by the Leiningen family to this day.

We all know, family trees can be a bit complicated – and the British Royal Family is no exception! Queen Victoria’s mother, before her marriage into the British Royal Family, was married to Charles, Prince of Leiningen (she was his second wife, the first being her aunt!). They had two children and lived at the family seat, Amorbach Abbey. After her husband died in 1814 Princess Victoria of Leiningen remained in the Principality as Regent, still ruling from Amorbach. In 1818, and in response to a succession crisis in the British Royal Family (that’s another story!) the then Duke of Kent proposed to her, and she accepted. They married at Amorbach and continued for a brief time to live there, returning swiftly to England in April 1819 in order to ensure their first child, Princess Alexandrina Victoria of Kent (the future Queen Victoria), could be born on British soil. The rest, as they say, is history….!

Our Regency cosumes worked particularly well in the period setting of Amorbach and it was a privilege to perform in a venue with such a pivotal link to our Royal Family.

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